Buddy (Affleck) has just signed an airline in Chicago as a big client, but is ironically delayed at the airport waiting for a flight to LA on that same airline. He meets fellow passenger Greg, who opts to be bumped, even though it means missing an activity with his older son. When the flight gets resumed, Buddy thinks he's doing a good deed by swapping tickets with Greg so he can get home to his son. Sadly, the flight crashes. Buddy conspires with his friend, the ticket agent that night, to take his name off the passenger list and put Greg's on. Once he's back in LA, his new client dictates that the company run a series of feel-good ads about the crash. Buddy feels very hypocritical, and completely loses it when the commercials win a Cleo. After going through re-hab, he decides he needs to check on Greg's widow. But he doesn't plan on falling in love with her.

In the year 3028 A.D., Earth is being attacked by the Drej, which are aliens made of pure energy! The Drej mother-ship destroys Earth with an energy beam just as hundreds of space vehicles manage to escape with the last of mankind aboard! One of the escapees is Sam's young son Cale, who carries with him a ring given to him by his father. Fifteen years later, Cale works on a salvage station, eking out a rough life and hating his father for having disappeared aboard the Titan so long ago. Without a home planet, surviving humans have been reduced to outer space drifters and are constantly bullied and looked down on by other space-faring races. A human captain named Joseph Korso and his pilot Akima seek out Cale and explain that he must help them find the Titan which contains a mechanism that will create a new Earth and therefore unite all of humanity. Meanwhile, the Drej wants to find the Titan so that they can destroy it...

Idealistic 15-year old Owen gets the chance of a lifetime to be the youth spokesman for U.S. Senate Candidate Lawrence Connor...

Andy Sargentee is a decent guy and the town's favorite failure: an unemployable dreamer whose ex's husband's wealth intimidates Andy to such an extent he does little with his teen son. Andy's new idea is for Butterface Fields to be the first town to band together to make the first full-length feature amateur adult film. He recruits five regulars at Floyd's Bar to contribute $2000 each. They get the kid at the video store, whose camcorder is constantly on, to be the cinematographer. The pal they all call "Some Idiot" volunteers to be writer-director. Otis becomes producer. Now, can they find actors, and especially, women? Can a pornography project give Andy self-respect?